To the Tune of Freedom: Women’s Resistance Songs in Nazi Prisons
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11. Hitler

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11. Hitler

Original song Transformed song
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Score


Géo Koger et Vincent Telly (paroles), Vincent Scotto (musique), Prosper... (Yop La Boum!), fox-trot, partition pour chant seul, Paris, Salabert, E.A.S. 10362bis, 1935.

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Album


Géo Koger et Vincent Telly (paroles), Vincent Scotto (musique), Prosper (Yop La Boum), Maurice Chevalier (chant), orchestre M. Jo Bouillon, 1 disque 78 tours, Gramophone, K-7588, 1935.

macaron du disque

1942, Anrath prison

This song is based on the hit Prosper… (Yop la boum!) (lyrics by Géo Koger and Vincent Telly, music by Vincent Scotto) made popular by French singer Maurice Chevalier in 1935. This “sung foxtrot” was a “major success of ‘Parade du monde’, the Casino de Paris’ Revue presented by Henri Varna”, as indicated in the sheet music published by Salabert that same year. In it, Prosper, a Parisian pimp with the face of a “real tough guy” and no scruples, is portrayed in a somewhat deferential and lighthearted manner that is perfectly brought to life by Chevalier’s performance (with his drawling spoken voice on the onomatopoeic “Yop la Boum!”). The choice of this source song is all the more interesting because Maurice Chevalier’s stance during the Occupation was complex; after the Liberation, his reputation was tarnished by his political flip-flops during the war, and especially by a high-profile tour in Germany in 1942.

The transformed version by Oddon and her companions is based on an earlier adaptation of the song: Hitler, Yop la boum, a simple refrain written by French writer and illustrator Maurice Van Moppès who had gone to join Charles de Gaulle in London at the start of the war, as well as appearing on the BBC show Les Français parlent aux Français. Van Moppès capitalized on the phonetic similarity between “Prosper” and “Hitler” to create a highly satirical musical excerpt about the Nazi dictator. The refrain (only four lines) was broadcast on BBC airwaves on December 17, 1941, and the sheet music was included in the little booklet of songs of the BBC – Chansons de la BBC – parachuted into France by the Royal Air Force around 1943, then officially published in 1944: “Hitler, and Yop la boum/ It’s the beginning of your end / Hitler, and Yop la boum / You’ll end up on your as-phalt!”. The women Resistance fighters with Yvonne Oddon must have become aware of this altered refrain before being detained.

The refrain in Oddon’s transcribed version uses Van Moppès’ efficient phrase almost identically: “Hitler, Yop la boum”. The original song remains quite present in their version (much more developed than the one by Van Moppès), which borrows both its structure and its central theme. Hitler is portrayed as the pimp of a pillaged Europe and a population “held hostage” with help from collaborators described as “bastards” and “traitors.” The song’s conclusion also foretells the Führer’s defeat: “we’re waiting [...] for them to deal with you / Yop la boum / Hitler,” sang the prisoners.

Oddon’s typewritten copy specifies that the song was written in 1942, at Anrath Prison. In this context, the ellipsis points in brackets added in the margin of the passage that mentions the moment “that is surely not far off” of Nazi defeat and the purge (“épuration”) of collaborators was likely a reference (added later with self-deprecating irony) to the fact that the Allied victory was, on the contrary, a long time coming for the women of the Resistance.

[Sources: references 36, 61, 64, 78, 123, 124 in the bibliography]

Comparative transcription

Prosper (Yop la boum!)

(1935)

 

Quand on voit passer l’grand Prosper sur la plac’ Pigalle,

When we see the great Prosper in Pigalle Square,

Avec son beau p’tit chapeau vert et sa martingale

With his nice little hat and his martingale belt

D’vant son air malabar

With his tough-guy look

Et sa démarche en canard

And his waddling gait

Pas b’soin d’êtr’ bachelier

It doesn’t take a genius

Pour deviner son métier.

To guess his trade.

 

Refrain

Prosper Yop la boum! C’est le chéri de ces dames

Prosper Yop la boum! He’s the favourite of the ladies

Prosper Yop la boum c’est le roi du macadam’…e

Prosper Yop la boum, he’s the king of the asphalt

Comme il a toujours la flemm’

Since he’s always too lazy

Il n’fait jamais rien lui-mêm’

To do anything himself

Il a son harem

He has his harem

Qui de Clichy à Barbès

From Clichy to Barbès

Le jour et la nuit sans cess’

Non-stop day and night

Fait son p’tit biz’ness

Doing their little business

Et l’soir tous les soirs

And every single night

Dans un coin d’ombre propice

In a handy dark corner,

Faut l’voir faut bien l’voir

You’ve really got to see him

Encaisser les bénéfices

Raking in the profits

Il ramasse les billets

He collects the cash

Et leur laisse la monnaie

And leaves them the coin

Ah! quel sacrifice

Oh! What a sacrifice

En somm’ c’est leur manager

In fact, he’s their manager

Yop la boum! Prosper.

Yop la boum! Prosper.

 

2

Avec sa bell’ gueul’ d’affranchi là-haut sur la butte,

With his tough-guy face high up on the hill,

Toutes les poul’s sont foll’s de lui et se le disputent.

All the chicks are crazy about him and fight over him.

Y en a qui s’flanquent des gnons,

Some knock each other around,

Et qui se crêp’nt le chignon,

And get into a cat fight,

Pendant c’temps, voyez-vous

And all the while, you see,

Tranquill’ment il compt’ les coups.

He’s calmly counting the blows.

 

Refrain

Prosper Yop la boum! C’est le chéri de ses dames,

Prosper Yop la boum! He’s the favourite of the ladies,

Prosper Yop la boum c’est le roi du macadam’…e

Prosper Yop la boum he’s the king of the asphalt

Quand un’ femm’ se fait poisser

When a woman gets nabbed

Par les roussins du quartier,

By the local coppers

Pour s’ravitailler,

To top up his supply

Il s’en va immédiatement

He heads right away

Faire son réassortiment

To restock

Dans l’arrondissement.

In the neighbourhood.

Des fois, oui des fois,

Sometimes, yes sometimes,

Quand ell’s n’sont pas à la page,

When they’re not up to snuff,

Voulant fermement

Determined

Faire leur apprentissage,

To train them

Il les envoie en saison

He sends them on retreat

Dans un’ vill’ de garnison faire un petit stage.

To a garrison town for some on-the-job experience.

C’est un garçon qu’a du flair! Yop la boum! Prosper.

That’s a guy with a real flair for it! Yop la boum! Prosper.

Hitler

(ms p. 8)

 

Quand on voyait Adolf Hitler et sa g[u]eul’ de vache

When we see Adolf Hitler and his pig-face

Avec sa mèch’ de travers et sa p’tite moustache

With his crooked comb-over and little mustache

Sa voix d’fou, l’air idiot

That crazy voice and idiotic attitude

Qu’il prenait à la radio

He used on the radio

Fallait pas êtr’ fakir

No need to be psychic

Pour deviner ses désirs :

To guess what he wants:

 

[Refrain]

Hitler, Yop la boum, quand tes soldats sur les routes

Hitler, Yop la boum, when your soldiers on the road

Tiraient, Yop la boum sur nos civils en déroute.

Fire, Yop la boum on our fleeing civilians.

Quand, après ceux des voisins

When, after the neighbours’ houses

Ils pillaient nos magasins

They pillage our stores

Pour s’fair’ du butin,

To score some loot

Nous disant : « ce qui vous suce

Telling us: “the thing sucking you dry

Ça doit être le blocus

Must be the blockade

Ou bien c’est les Russes »,

Or maybe the Russians,”

Il fallait les voir

You had to see them

Payer en monnaie de singe

Paying with funny money

Du matin au soir

From morning to night

La boustifaille et le linge :

Food and clothing

Car c’est la loi du « milieu »

That’s the law of the “ghetto”

Les gars qu’ont plus rien chez eux

The folks who have nothing left at home

S’cassent pas les méninges

Don’t rack their brains

Comme toi, roi des gangsters

Just like you, king of the gangsters

Yop la boum, Hitler!

Yop la boum, Hitler!

 

[2]

Quand on voyait Adolf Hitler agitant ses armes

When we see Adolf Hitler brandishing his weapons

Peupler d’uniformes verts l’Europe en alarmes,

Filling a Europe on high alert with green uniforms

Séquestrer en prison

Confining to prison

Femmes, vieillards, nourrissons,

Women, the elderly, babies

Fallait être un bandit

You’ve got to be a villain

Pour s’allier avec lui :

To side with him:

 

[Refrain]

Hitler, Yop la boum, pour entrer chez nous en maître

Hitler, Yop la boum, to enter our home like you own it

Fallut pour t’aider tous les salauds et les traîtres,

You needed all those bastards and traitors

Quand tu voulus à tout prix

When you wanted at any cost

Que notre pauvre Paris

That our poor Paris

Devienne Nazi

Become Nazi

Nous vîmes avec horreur

We watched in horror

Tous les collaborateurs

All the collaborators

Se couvrir d’honneurs

Being showered with honours

Oui mais, un beau soir

Yes, but one fine evening

Qui n’est plus très loin sans doute            (…..)

That is surely not far off (….)

On pourra les voir

We’ll see them

Tous ces gens qui nous dégo[û]tent

All those who disgust us

À notre place dans les prisons

Taking our place in prison

Où maint’nant nous attendons qu’avec la déroute

Where now we’re waiting for [your] defeat,

On te fasse ton affaire, Yop la boum, Hitler!

For them to deal with you, Yop la boum, Hitler!

Manuscript


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Re-creation


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